ALTA DOLCH
“deep dolch”
Top Case - 6063 Aluminium - Black Grey
Bottom Case - 6063 Aluminium - Quartz Grey
Badge (Outer) - 6063 Aluminium - Black Grey
Badge (Inner) - PVD Stainless Steel - Dark Grey
Internal Weight - PVD Stainless Steel - Dark Grey
External Weight - 6063 Aluminium - Quartz Grey
Built Weight - (est) 1.75kg / ~3.85lbs
ALTA LUNA
“high moon”
Top Case - 6063 Aluminium - Silver
Bottom Case - 6063 Aluminium - Dark Grey
Badge (Outer) - 6063 Aluminium - Silver
Badge (Inner) - PVD Stainless Steel - Gloss Silver
Internal Weight - Brushed Stainless Steel
External Weight - 6063 Aluminium - Dark Grey
Built Weight - (est) 1.75kg / ~3.85lbs
ALTA CORDE
“with a deep heart”
Top Case - 6063 Aluminium - Wine Red
Bottom Case - 6063 Aluminium - Wine Red
Badge (Outer) - 6063 Aluminium - Wine Red
Badge (Inner) - Brass - Deep Red Patina
Internal Weight - Brass - Deep Red Patina
External Weight - 6063 Aluminium - Wine Red
Unbuilt Weight - (est) 1.9kg / ~4.2lbs
ALTA LABE
“deep decay”
Top Case - 6063 Aluminium - Deep Teal
Bottom Case - Brass - Dark Verdigris Patina
Badge (Outer) - Brass - Dark Verdigris Patina
Badge (Inner) - 6063 Aluminium - Silver
Internal Weight - 6063 Aluminium - Silver
External Weight - Brass - Dark Verdigris Patina
Built Weight - (est) 2.25kg / ~5lbs
Metanoia
James from Alchemist Keyboards said:
"Between AKB projects, client work, and my work with Glarses and CannonKeys, I’ve had the chance to bring over 120 keyboards to production over the past 7 years. As rewarding as that’s been, starting each new project with a completely blank slate has become increasingly difficult, and organic inspiration harder to come by.
Metanoia began differently. What started as a conversation with Kevin from Kezewa (who provided the initial layout based on the JER-mini), shifted my usual process from concept-first to something more reactive. Instead of building everything in isolation, I made a conscious effort to open the design up, checking decisions along the way and allowing external input to shape the outcome. While the bulk of the design is still my own, that collaborative back-and-forth led to more organic compromises and a result that feels distinct from my previous work.
The name “Metanoia” reflects that shift. After years of approaching projects in a very self-contained way, this board represents a change in perspective both in how I design and how I want to approach future projects. Maybe that means bringing more people into the process, maybe it means sharing ideas earlier than I usually would. I’m not entirely sure yet, but this feels like the first step in that change."
